Another programme born in the Watch With Mother era, Bill and Ben were identical, with bodies and legs made out of flowerpots, hobnailed boots and gardening-gloved hands. It was possible to tell them apart by their names written across their backs and by their voices, Bill's high-pitched squeak, and Ben’s lower tones.

They lived in a pair of flowerpots at the bottom of the garden, unknown to the gardener. When he approached, a little Weed that grew in between the pots would warn Bill and Ben when the gardener was coming, upon which they would quickly disappear back into their pots.

Each programme featured reassuring rituals, from the appearance of Bill and Ben from their pots to the closing caption of 'Goodbye'. In between were various capers involving slapstick antics with mud pies, paint pots and even ice-skating.

Unlike puppet toddler Andy Pandy the flower pot men were not intended to be a reflective image of the target audience, they were pure fantasy, and unlike him Bill and Ben could speak, albeit in gobbledygook. Their memorable voices were provided by Peter Hawkins, who also developed their nonsensical if rationalised dialect (there was Ben's immortal utterance of 'flobabdob' while, for example, an icicle was an 'ickle-kickle').

Some mothers complained that this degradation of the language would teach their children to be poor speakers, an argument repeated with the arrival of Teletubbies forty years later.

Where Andy Pandy's narrator addressed the audience directly, here she merely told the story except when, each episode, Little Weed tested viewers' memories by asking which of the flower pot men had done a particular thing in the preceding story. On the whole though The FlowerPot Men was more about simple entertainment than interaction.